Between politicians and masters of popular culture: discourse, power and ideology in museums

Authors

  • Átila Tolentino Casa do Patrimônio de João Pessoa, Superintendência do Instituto do Patrimônio Histórico e Artístico Nacional no Estado da Paraíba

DOI:

https://doi.org/10.36572/csm.2014.vol.47.03

Abstract

The narratives produced in expográficos circuits discourses are loaded with meanings, intentions and ideologies that can be analyzed from the exposed objects, the voids, the said and the unsaid. From a theoretical contribution of authors related to the social sciences and, specifically, to the field of Sociomuseology working with the issue of construction of discourses, memory and power, this article aims to analyze the discourses of expográficas narratives of a traditional museum, Municipal Museum of Borborema, and a community museum, the Museum of the Living Eye School Time, both located in the State of Paraíba. In this perspective, the analysis goes through about social subjects are represented in these two museums, diametrically opposed in the form of construction of its exhibitions.

Keywords: museums, speech, memory, power, ideology

Author Biography

  • Átila Tolentino, Casa do Patrimônio de João Pessoa, Superintendência do Instituto do Patrimônio Histórico e Artístico Nacional no Estado da Paraíba

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Published

2014-06-25

Issue

Vol. 47 No. 3 (2014): Heritage, Politics and Sociomuseology

Section

Articles

License

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under aCreative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

How to Cite

Between politicians and masters of popular culture: discourse, power and ideology in museums. (2014). Cadernos de Sociomuseologia, 47(3). https://doi.org/10.36572/csm.2014.vol.47.03