https://revistas.ulusofona.pt/index.php/liveinterfacesjournal/issue/feedLive Interfaces - a media-rich Journal2026-01-15T12:14:39+00:00Oleksandr Lyashchenkooleksandr.lyash@gmail.comOpen Journal Systems<p><a title="Live Interfaces" href="https://liveinterfacesjournal.ulusofona.pt/" target="_blank" rel="noopener"><strong>Live Interfaces</strong></a> is a peer-reviewed, open-access and media-rich journal. It interrogates the meanings of liveness, immediateness, timing, connection and flow while exploring how technologies and creative processes can convey unique approaches to the physical body and environment. </p> <p>While vitally necessary debates on environmental impact and sustainability continue to develop more widely, so do social “off-grid” movements translating extreme disaffection with technology. This makes the role of work with live interfaces in the performing arts – encompassing music, visual arts, dance, puppetry, robotics, and games amongst other forms – more important than ever. Such work can offer critical, communicative approaches to the technologies it creatively mobilises.</p> <p><span class="extension-adhd-reader-wrapper"><span class="extension-adhd-reader-container"><span class="extension-adhd-reader-boldify">This media-rich journal aims to serve as a platform for eminently live work and dialogue. It seeks to cross-pollinate ideas and communities, interrogating contemporary creative practice in a wealth of different ways. </span></span></span>We keep asking how artistic practices can inform and inspire us in our ever-evolving environment, challenging, subverting, and providing insights into technologies that otherwise remain too unquestionably integral to much human communication and expression. </p>https://revistas.ulusofona.pt/index.php/liveinterfacesjournal/article/view/10949Tiny Learning Models to Enable NPC Growth and Variability2026-01-15T12:13:53+00:00John Klimaklima.de.sa@gmail.com<p>This contribution introduces a Tiny Learning Model (TLM) that enables Non-Player Characters in a video game (NPCs) to grow, learn, and change behaviours dynamically at run-time. Implemented in C# and Unity, it allows for the replacement of finite state machines and look-up tables. To demonstrate this TLM, I start with the simple game “Rock Paper Scissors”, showing that Paper can beat Scissors provided the network is trained to produce that result. I then expand into more complex situations, such as the Dungeons and Dragons combat rules, and animation blending systems. Indeed, the TLM can change the rules of the game.</p>2026-01-12T15:12:21+00:00Direitos de Autor (c) 2026 Live Interfaces - a media-rich Journalhttps://revistas.ulusofona.pt/index.php/liveinterfacesjournal/article/view/10950Autobiography of an Interface2026-01-15T12:14:29+00:00Raleje Jainraj@rajele.net<p>This essay is an attempt to formulate and justify a personal definition of interface — with the aim of discovering whether, how, when, and why we are subject to manipulation when encountering other interfaces. In this sense, the interface described here is a project-in-progress: a tool intended to help recognise ‘truthful speech and action’ and to distinguish these from manipulation. To resist the external control of our attention, we must cultivate control over our own intentionality. The objective of this study is to identify the learning conditions and experiences necessary for developing this competence, and to propose a teaching and learning environment that can support its cultivation.</p>2026-01-12T15:35:50+00:00Direitos de Autor (c) 2026 Live Interfaces - a media-rich Journalhttps://revistas.ulusofona.pt/index.php/liveinterfacesjournal/article/view/10951International Drone Day in the Hudson Valley: Sonic Activism, Deep Listening and Communal Resonance2026-01-15T12:14:39+00:00Katie Downglassmusicsound@gmail.com<p>International Drone Day is a global celebration of sonic drone, including intentional listening practices and sound-based community gatherings. We host our own event in the lower Hudson Valley of upstate New York. Through philosophical and ontological inquiry, I will explore how communal sound practices foster connection, presence and shared experience – and illustrate this with the sounds and words of several artists participating in Drone Day. These reflections will underscore the impact of the day as a form of sonic activism and collective resilience – reinforcing the need of a transdisciplinary perspective within sound studies.</p>2026-01-12T15:42:08+00:00Direitos de Autor (c) 2026 Live Interfaces - a media-rich Journal