Sobre a Revista
Drawing inspiration from the International Conference on Live Interfaces, which occurred in 2012 (Newcastle, UK), 2014 (Lisbon, Portugal), 2016 (Sussex, UK), 2018 (Porto, Portugal), 2020 (Trondheim, Norway) and 2022 (Lisbon, again), this media-rich journal aims to serve as a platform for eminently live work and dialogue. It seeks to cross-pollinate ideas and communities, interrogating contemporary creative practice in a wealth of different ways.
As an e-journal, Live Interfaces considers criteria for academic indexing while assuming the internet both as a means of dissemination and a creative medium. The journal can support text-based contributions with embedded media and hyperlinks as well as web-based artworks. Submissions may include, and are not restricted to:
- Practice research reports
- Reflective essays
- Sound/Image essays
- Theoretical essays
- Interviews
- Web-based interactive works
- Sonification/ visualisation systems
The official website from Live Interfaces provides a wealth of informaton:
- ABOUT
- PUBLICATIONS
- VOLUME 3
- VOLUME 2
- Editorial note, abstracts and reviewers
- Touch the Screen, Wild the Sound: Expressive iPad Performance in Nature by David Rothenberg
- The Interface as Artwork: Creating Interactive Installations Based on Encounter and Somatic Experience by Marie-Eve Morissette, Louis-Philippe Rondeau and Yan Breuleux
- Editing Video Streams Through Natural Language Embeddings: Keyframe Sequencing Using Transformers by Luis Arandas, Pedro Sarmento, Mick Grierson and Miguel Carvalhais
- VOLUME 1
- Editorial note, abstracts and reviewers
- Computational Art, Dematerialisation and Embodiment by Miguel Carvalhais
- Resonant Embodiments: Listening to the Transcultural Body by Michelle Lewis-King
- Synthetic Images: Data-based Aesthetics by Rosemary Lee
- Creating Music Scores Live Through Interacting with a Character-Level Text Generator by Alexandros Drymonitis
- AUTHORS INFO
- EDITORIAL PROCESS
- SUMITTING
- TEAM
