HUIZINGA AND “EVERYTHING IS PLAY”

A THINLY VEILED FORMALIST TEMPTATION. A CRITIQUE

Keywords: “Formalism;” “Freedom;” “Game;” “Historicity;” “Metaphysics.”

Abstract

This article critically examines the concept of formalism in game studies, with a particular focus on Johan Huizinga’s notion of “play” and its relationship with “game.” It argues that while Huizinga’s concept has been influential in shaping the understanding of “play,” it tends to prioritize formalistic and metaphysical interpretations over broader socio-cultural contexts. By conflating “play” and “game,” Huizinga’s framework overlooks important tensions between notions of freedom, historicity, and formalism within game studies. The article suggests that a more nuanced understanding of “play” is needed, one that integrates considerations of rules, themes, and contexts, moving beyond metaphysical categorizations. Through this critical analysis, the article aims to contribute to ongoing discussions in game studies and encourage further exploration of the multifaceted nature of games in contemporary society.

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Author Biography

Paulo Antunes, CEPS - Universidade do Minho (Braga)
Paulo Antunes, Centre for Ethics, Politics and Society - CEPS, UMinho

Ph.D. in Philosophy (FCT fellow: SFRH/BD/116938/2016) by the School of Arts and Humanities of the University of Lisbon (FLUL), 2021. Postdoc fellow for the project PeX: The Public Interest: A Politico-Philosophical Investigation (EXPL/FER-ETC/1226/2021), hosted by the CEPS, 2023.

Published
2025-02-27