Reflexive Perplexities: The Virtual Camera in ‘She’s Not There’
Resumo
We report on the conception, production and delivery of the live music, live performance, 3D animated project She’s Not There that opened the CILECT congress in Brisbane November 2016. We discuss the operations of the virtual camera in framing the virtual 3D space within the real space of the theatre stage. We muse on this Mixed Reality mode within the context of Goudal’s conception of cinema as fostering in its audience a ‘conscious hallucination’ (1925); the appeal of our project is contingent upon the audience being able to view outside of the frame while enjoying the fantasy within, to knowingly invest in its illusion.
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Publicado
Nov 28, 2017
Como citar
MOYES, Peter; HARVEY, Louise.
Reflexive Perplexities: The Virtual Camera in ‘She’s Not There’.
International Journal of Film and Media Arts, [S.l.], v. 2, n. 1, p. 92-101, nov. 2017.
ISSN 2183-9271.
Disponível em: <http://revistas.ulusofona.pt/index.php/ijfma/article/view/6158>. Acesso em: 22 mar. 2019.
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