THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT

  • Mário Canova Moutinho Universidade Lusófona de Humanidades e Tecnologias

Resumo

"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." (1)

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Como Citar
Moutinho, M. C. (1). THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT. Cadernos De Sociomuseologia, 4(4). Obtido de https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245
Edição
v. 4 n. 4 (1994): The construction of the museological object
Secção
Artigos

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