Cornish Knitting Pattern Series
Abstract
The Cornish Knitting Pattern Series is a collection of 16mm animation landscape films that use a single frame production technique to translate Guernsey knitting patterns into film. In doing so, the films set up a structural relationship between that of a knitted stitch and a frame of film—drawing out analogies between both forms of production. The article considers methods and processes of the films’ production, including the role of the film charts and location-as-editing system. The film charts are explored as examples of an approach to systems-based editing and a single frame production in the context of experimental film. They are also discussed as visualizations of the knitting patterns; pragmatic preproduction material; notation documentation and retrospectively a significant aid to reflection on the work carried out. Key aspects of the film series such as how gesture, landscape and film are ‘knitted together’ in the film as a material object, are also highlighted. Further to this the article explores how these aspects reveal readings of the films’ relationship to Landscape, knitting practices and the historical and cultural aspects of the Cornish Guernsey patterns.
Copyright (c) 2020 Jennifer Nightingale

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Read more at http://creativecommons.org/licenses/by-nc-sa/4.0.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) IJFMA is run and subsidised by the Film and Media Arts Department of Universidade Lusófona de Humanidades e Tecnologias, Lisbon, Portugal. Authors are not requested submission or processing fees. Under open access politics, articles are fully available upon publication. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).