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Vol. 4 No. 1 (2020): International Journal on Stereo & Immersive Media

Cover: Jean Laurent, LISBONNE- 806- Tour de Belem, 1869. Instituto del Patrimonio Cultural de España, Ministerio de Cultura y Deporte, Spain.

Published: 2020-12-31

Contents

Cover, Editorial details and Contents

The editor

1-3
- pdf

Invited Articles

Protecting and Exploiting Photography Through Intellectual Property in The Long Nineteenth-Century Britain

Michael Pritchard

4-27
- pdf
The Stereoscopic Negatives by J. Laurent. Portugal Views in The Year of 1869

Carlos Teixidor-Cadenas

28-45
- pdf
Ilusões impressas para um leitor-espectador no Brasil oitocentista: Vistas e gravuras nas Marmotas de Paula Brito Printed Illusions for a Reader-Spectator in Nineteenth-Century Brazil: Views and Engravings in the ‘Marmotas’ by Paula Brito

Bruno Guimarães Martins

46-65
- pdf

Articles

Slave to the Rhythm: Examining Immersive Experiences Through The Interplay Of Music And Gameplay In “Crypt Of The Necrodancer”

Bradley Kagan

66-79
- pdf
Global Warming - The Historical Photographic Evidence

Peter Blair

80-103
- pdf
Stereoscopy On The Silver Screen: The Analyticon And Early Cinema In Edinburgh, Scotland

Stephen McBurney

104-119
- pdf
Stereoscopy's Impact on the Making of Digital Visual Effects in Films

Esther Jacopin

120-133
- pdf
Experience Design for Virtual Reality. From Illusion to Agency.

Volker Kuchelmeister

134-153
- pdf